one woman trans-gender + trans-species performance
bridgeland zwei is a bisexual-bilingual performance.
Bridge Markland changes her identities like underwear.
bridgeland zwei is an interdisciplinary performance piece.
It works with elements of: drag shows, lip-syncing, acting, physical-theatre, comedy, new-dance + contact improvisation...
German / English, 55 min.
The Screengoddess Angela flirts at a party.
Everyone simply adores her. She gets so excited,
she starts to strip, the other guests are shocked.
Stripteasing down to red X`s over her nipples... “Bizarre Berlin graces the stage.." GLAM Adelaide
The androgynous power-girl Bridge appears in the audience performing choreograhies for a well trained tongue.
"German gender based sex cabaret didn't die with the Weimar republic ..." Adelaide Advertiser
Back on stage she changes into the pinstriped macho-man Steve.
Steve philosophizes about his sexual activities and his penis-size, mutates into a monster, which vomiting itself out, dies...
The fascinating end of the show: an erotic fantasy - two androgynous creatures having sex on a camel in the desert.
"Her assertive androgyny is theatrically compelling. ...” Adelaide Advertiser
”German gender based sex cabaret didn't die with the Weimar republic ...
Her assertive androgyny is theatrically compelling. ...”
Adelaide Advertiser, Australia, 26 Nov 2009
“Bizarre Berlin graces the stage ... as compellingly curious as it is off the wall.
bridgeland zwei is perhaps the most unique performance of the year. Markland’s comedy stems from an expressive face, impressive tongue, and beautiful timing.
... an outlandish show ... ”
GLAM Adelaide, Australia, 26 Nov 2009
”...Bridge Markland, a one-”woman” dynamo with moves to kill and looks that'll leave you speechless, giving us probably the best solo act at Feast for the past three years. ...Taking gender to its ultimate conclusion, Berlin's Markland begins her performance the way she intends to continue: totally upfront... “
The Independent Weekly, Adelaide, Australia, 25 Nov 2009
”...Performing achievement which is rarely seen in our country."
DELOSKOP Magazine, Ljubljana, Slovenia, March 2004
- Germany: Berlin: Friends of Italian Opera - 1996, STÜKKE Theater - 1997, go drag! Festival - 2002, Theater O-TonArt - 2010
Bremen - Junges Theater - 1999, Kiel - WerftparkTheater - 1997, Munich - Spectaculum Mundi - 1997 + 1998, Frankfurt - Frauenhaus - 1997, Nuremberg - Loni Übler Haus - 1998
- UK: Glasgow: Glasgay! Festival - 2004, Liverpool - Homotopia Festival - 2005
- Slovenia: Ljubljana - Red Zora Festival/Metelkova - 2004, Sezana - Red Zora Festival - 2004
- Croatia: Zagreb - Transgressing Gender Conference - 2005
- USA: Minneapolis - Patrick’s Cabaret - 2007
- Austria: Hall in Tirol - Kulturlabor Stromboli - 2009
- Australia: Adelaide - Feast Festival - 2009
- USA: Middlebury / Vermont - Middlebury College, 2012
and other cities and venues
"bridgeland zwei ... phantastisch!
Stage left: enter Bridge Markland, a one-”woman” dynamo with moves to kill and looks that'll leave you speechless, giving us probably the best solo act at Feast for the past three years.
Taking gender to its ultimate conclusion, Berlin's Markland begins her performance the way she intends to continue: totally upfront.
After successfully performing in her native land, as well as at various festivals worldwide, and, hailing from a dance background, Bridge Markland's bilingual/bixsexual show makes a statement about binary gender which is applaudable for its no-nonsense integrity. No gimmicks, just a “slow-change” from female to male and then into something hybrid; writhing at the base of womb-esque graphics.
Punctuated with crowd interaction, sly humour, distinct facial expressions, and a fluidity of movement that bears comparison in content and choreography to Pina Bausch – this one-hour show was over far too quickly.
Whatever is going on in bridgeland zwei both entrances and illuminates: not merely the fallacy of adopting, and adhering to, a duality philosophy as the “only” alternative, but in educating an engrossed audience through dialogue, mime, mannerisms and movement. Where other shows have failed, for whatever reason, to supersede binary, bridgeland zwei has found a simple solution: laugh at the ludicrousness of it.
Miss it, and you'll never know how good Bridge Markland looks in a pin-striped suit, or how good you might look in an evening gown. Ausgezeichnet."
Teri Louise Kelly, The Independent Weekly, Adelaide, Australia, 25 Nov 2009
“Bizarre Berlin graces the stage for an all too short season of “bridgeland zwei” in this year’s Feast Festival. Bridge Markland’s solo offering from Germany is as compellingly curious as it is off the wall.
Spoken in both German and English, she/he/it writhes and gesticulates to bilingual narrations that are dark, poetic, comedic and nonsensical.
There is no plot, but rather a series of stand-alone vignettes that showcase Markland’s talent and creativity. Her dance history is evident in both the fluidity of her movements and her exceptionally quirky style.
She begins as the most beautiful woman in the world, described in detail through pre-recorded voiceovers as we observe her flirtations and drunken deterioration into something less attractive.
She’s soon close to naked and flirting with the audience before donning a pin striped suit and becoming a man. There are no tricks to her transgender transformations. She changes slowly, her masculinity growing with each added layer of clothing.
From man to thing, she’s reborn next into a sexual creature of sensation, stripped of thought and inhibition.
bridgeland zwei is perhaps the most unique performance of the year. Markland’s comedy stems from an expressive face, impressive tongue, and beautiful timing. If anything, it is a movement piece with poetry and music...
While such an outlandish show may not suit everyone’s taste, this should fascinate those who enjoy whetting their appetite with something new. It will make you laugh and frown, but come away smiling.”
Rod Lewis, GLAM Adelaide, Australia, 26 Nov 2009
”German gender based sex cabaret didn't die with the Weimar republic and Bridge Markland brings to Feast an unusual and ... entertaining solo show. She's much more than a double breasted woman in a single breasted suit.
Her physical skills are impressive and her thoughts, in German and English are full of wry observations on romance and attraction, delivered by the soundtrack, which also includes Marlene Dietrich vintage show songs.
Markland begins as a voluptuous red headed woman in emerald green satin, the object of spoken desire, who slowly collapses into drunken exposure finally removing the lustrous hair and frock to reveal the shaven head and muscular body of a dancer. As she dresses slowly, again with commentary, in a business suit, she is the embodiment of power dressing.. The hand drawn moustache adds a baroque touch to her finely sculpted skull. Her assertive androgyny is theatrically compelling. ...”
Ewart Shaw, Adelaide Advertiser, Australia, 26 Nov 2009
"The Berlin artist Bridge Markland conceived her cross-dressing show upon playing with female and male stereotypes… The highest points of the performance are by all means these minimalist but very effective gender transformations… These role changes are by no means products of any kind of secret tricks… (she) reaches truly chameleonic changes above all with her extraordinary body and face pantomime…
Performing achievement which is rarely seen in our country."
Suzana Tratnik, DELOSKOP Magazine, Ljubljana, Slovenia, March 200